Huang Ziqian 黄子倩

Huang is an interdisciplinary artist. She is interested in cities, animals, and the relationship between humans and animals.Her recent work focuses on art game design that explores the relationship between humans and animals. The themes cover the impact of urbanisation and road reconstruction on the living spaces of animals. She uses games to lighten the heaviness of the theme and gives it  deep meaning. Ziqian aims to stimulate human thinking through art, exploring the concept of "coexistence" with animals in an urbanised environment, and bringing viewers a new and educational experience.

黃子倩是一名跨領域藝術家，她熱衷於研究城市與動物以及人與動物的關係。 黃子倩的近期作品著重於藝術遊戲設計來探討人與動物的關係，主題涵蓋了都市化與道路改造對動物生存空間的影響。 她使用遊戲的方式，減輕主題的沉重感，並再次賦予它深刻的意義。 旨在透過藝術來激發人類的思考，探索在城市化的環境下與動物「共存」的理念，帶給觀者嶄新而含有教育意義的體驗。

Roadkill is an interactive game. The installation creates a separate space that uses anthropometric technology to simulate driving at night. In the game, the viewer's character is a driver, and they need to complete a maze to reach the end. Fluorescent lines on the road and a variety of sounds will give them instructions.

The installation invites viewers to an immersive road game experience. In the dark, human vision is blocked, so the auditory senses are amplified. What are we doing? What kind of sounds do we hear? And what do these sounds mean? 

The artist created a playful process of "O. Henry's Ending," which is both unexpected and reasonable, to stimulate the audience to reflect on animal life and human morality.

《路殺》是一個互動遊戲。 此裝置營造出一個單獨的空間，使用人體測距技術來模擬夜間駕駛的場景。 在這裡，觀眾的角色是駕駛員，他們需要完成一個迷宮來到達終點。 路上的螢光線條和各種各樣的聲音會給予觀眾指示。此裝置邀請觀者進行了一場沉浸式的道路遊戲體驗。 在黑暗的光線下，人的視覺受阻，於是聽覺感官被無限放大。 我們在做什麼？ 我們聽到了什麼樣的聲音？ 這些聲音又有什麼意義？黃子倩編造了一個「歐亨利式結尾」的遊戲過程，在意料之外，也情理之中。她希望以這個作品激發觀眾對動物生命與人類道德感的反思。

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